Boys (1996)
Endowment evaluator at an all-male boarding school, John Baker (Haas) is impaired pressure from his ambitious dad, but feels gnawing restlessness at the prospect of another period of time. But while he can’t wait to save his spark of life to upon, dissolute twenty-something Patty Vare (Ryder) probably wishes she could rewind hers a trifling. It’s the morning after the tenebrosity before, the the gendarmes are at the door talking about a stolen wheels, and she may already have reached the wreckage step herself. Horse-riding provides a few hours’ distraction, but a fall leaves her prone on the ground and, soon, an unwitting, forbidden guest in John’s dorm. From such circumstances springs a hesitant if unlikely attraction that fulfils a need in each, but which capability take up some explaining to the outside world. Writer/director Cochran is stronger on capturing the texture surrounding her characters’ converging experiences than making much of it when they do get together. Most top-hole is the qualifications detail at the boys’ boarding-school, where the unfolding demoiselle-in-the-room crisis hits a properly complex note of terror, excitement, uneasiness and yearning.
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